This is a featured article, which represents some of the best content on English Wikipedia.
Image 1
Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Image 2
Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
Image 3
The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Image 4
Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
Image 5
Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
Image 6
A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
Image 10
Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
Image 11
A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
Image 12
The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
In his Dream Pool Essays or Dream Torrent Essays (夢溪筆談; Mengxi Bitan) of 1088, Shen was the first to describe the magnetic needle compass, which would be used for navigation (first described in Europe by Alexander Neckam in 1187). Shen discovered the concept of true north in terms of magnetic declination towards the north pole, with experimentation of suspended magnetic needles and "the improved meridian determined by Shen's [astronomical] measurement of the distance between the pole star and true north". This was the decisive step in human history to make compasses more useful for navigation, and may have been a concept unknown in Europe for another four hundred years (evidence of German sundials made circa 1450 show markings similar to Chinese geomancers' compasses in regard to declination). (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
... that wood type for printing was invented in China, first mass-produced in the United States, and later exported back to China for use by missionaries?
... that Ding Xuesong was the first female ambassador of the People's Republic of China?
... that swimmer Jin Hao competed in eight events, the most of any participant, during the 2001 National Games of China, causing him to lose 4 kilograms (8.8 lb)?
...that the Tai chi classics are manuscripts and commentaries that are used as standards for the correct study and practice of the art of tai chi chuan?
...that after endangering himself to control the imperial horse, Qi Ying was made an imperial attendant by Emperor Dezong of Tang?
Peking duck is a dish from Beijing that has been prepared since the Imperial era. The meat is characterized by its thin, crispy skin, with authentic versions of the dish serving mostly the skin and little meat, sliced in front of the diners by the cook. Ducks bred especially for the dish are slaughtered after 65 days and seasoned before being roasted in a closed or hung oven. The meat is often eaten with spring onion, cucumber, and sweet bean sauce, with pancakes rolled around the fillings. Sometimes pickled radish is also inside. Crispy aromatic duck is a similar dish to Peking duck and is popular in the United Kingdom. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
Image 1
Daisy Yen Wu (Chinese: 吴严彩韵, 12 June 1902 – 27 May 1993) was the first Chinese woman engaged as an academic researcher in biochemistry and nutrition. Born into a wealthy industrial family in Shanghai, from a young age she was tutored in English and encouraged to study. She graduated from Nanjing Jinling Women's University in 1921 and then studied in the United States, graduating with a master's degree in biochemistry from Teachers College, Columbia University in 1923. Returning to China, she became an assistant professor at Peking Union Medical College between 1923 and her marriage at the end of 1924 to Hsien Wu. Collaborating with him, she conducted research on proteins and studied nutrition. After their marriage she continued to assist in the research conducted by Wu as an unpaid staff member until 1928. She and her husband collaborated in writing the first Chinese textbook on nutrition, which remained in print through the 1990s.
While raising their children, Yen Wu recognized that educational opportunities were limited and founded the Mingming School (Chinese: 明明学校) in 1934 to provide a modern comprehensive education for Chinese children. She also raised funds in 1936 to build a school hospital for their alma mater, the Jinling Women's College, and earned a degree in French. In 1949, as her husband was in the United States and unable to return because of the Chinese Communist Revolution, she took the children abroad. Hired as a researcher for the Medical College of Alabama, she resumed collaboration with her husband, until his death in 1959. Moving to New York City in 1960, she conducted research for the United Nations Children's Fund to develop nutritional standards from 1960 to 1964. From 1964 to 1971 she worked as a lecturer and created a reference library for the Institute of Human Nutrition at Columbia University College of Physicians and Surgeons and from 1971 to 1987 she worked at St. Luke's Hospital Center, creating a library for the New York Obesity Research Center. Throughout her life, Yen Wu created numerous scholarships in China, Taiwan, and the United States which bear the name of family members and allow students to further their education. She died in 1993 in Ithaca, New York. (Full article...)
Image 2
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is morphosyllabic: characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems as a means of representing the pronunciation of Chinese.
Chinese writing is first attested during the late Shang dynasty (c. 1250 – c. 1050 BCE), but the process of creating characters is thought to have begun centuries earlier during the Late Neolithic and early Bronze Age (c. 2500–2000 BCE).[1] After a period of variation and evolution, Chinese characters were standardized under the Qin dynasty (221–206 BCE). Over the millennia, these characters have evolved into well-developed styles of Chinese calligraphy. As the varieties of Chinese diverged, a situation of diglossia developed, with speakers of mutually unintelligible varieties able to communicate through writing using Literary Chinese. In the early 20th century, Literary Chinese was replaced in large part with written vernacular Chinese, largely corresponding to Standard Chinese, a form based on the Beijing dialect of Mandarin. Although most other varieties of Chinese are not written, there are traditions of written Cantonese, written Shanghainese and written Hokkien, among others. (Full article...)
Image 3
On June 2, 2012, Feng Jianmei (Chinese: 冯建梅; pinyin: Féng Jiànméi) was forced to have an abortion in Zhenping County, Shaanxi, China, when she was seven months pregnant with her second child. Local officials had demanded that she and her husband pay a 40,000 yuan fine for violating the nation's one-child policy. When they were unable to do so, authorities arrested Feng, made her sign an agreement to have an abortion, and held her down while injecting her with an abortifacient. She was reportedly traumatized by the incident and in poor health afterwards.
On June 11, Feng's family posted graphic pictures of her stillborn child. The images soon became a viral phenomenon, sparking controversy within China and drawing international attention to the issue of forced abortions. In response to national and international attention, the Chinese government launched an investigation. On June 26, the investigation determined that Feng was not legally entitled to a second child, but that her rights had nonetheless been violated by the local family planning bureau, and as a result, two officials were fired and five others punished. On June 27, the National Population and Family Planning Commission announced it would send inspection teams across China to review the practices of local family planning divisions. Feng's husband, Deng Jiyuan (Chinese: 邓吉元; pinyin: Dèng Jíyuán), hired a lawyer to pursue criminal charges, but ultimately the family decided to settle out of court. (Full article...)
Image 4
The 2010 Asian Games (2010年亚洲运动会), officially known as the XVI Asian Games (第十六届亚洲运动会) and also known as Guangzhou 2010 (广州2010), were a regional multi-sport event held from November 12 to 27, 2010 in Guangzhou, Guangdong, China (although several events commenced earlier on November 7, 2010). It was the second time China hosted the Asian Games, with the first one being Asian Games 1990 in Beijing.
Guangzhou's three neighboring cities, Dongguan, Foshan and Shanwei co-hosted the Games. PremierWen Jiabao opened the Games along the Pearl River in Haixinsha Island. A total of 53 venues were used to host the events. The design concept of the official logo of the 2010 Asian Games was based on the legend of the Guangzhou's Five Goats, representing the Five Goats as the Asian Games Torch. (Full article...)
The dynasty rose from the consolidation of power among the Khitans in the 8th century and their expansionist campaigns in the latter half of the 9th century. Eventually the Yila chieftain, Abaoji, became the leader of the Khitans and proclaimed a Chinese-style dynastic state in 916. The Liao dynasty launched multiple military campaigns against neighboring states and peoples including the Kumo Xi, Shiwei, Tatars, Zubu, Khongirad, Balhae, Goryeo, Later Tang, and the Song dynasty. Its conquests include the Sixteen Prefectures (including present-day Beijing and part of Hebei) by fueling a proxy war that led to the collapse of the Later Tang (923–936). In 1004, the Liao launched an expedition against the Northern Song dynasty. After heavy fighting and large casualties between the two empires, both sides worked out the Chanyuan Treaty. Through the treaty, the Liao forced the Northern Song to recognize them as peers and heralded an era of peace and stability between the two powers that lasted approximately 120 years. It was the first state to control all of Manchuria. (Full article...)
Image 6
Map of Chinese intervention, 25 October 25 – 1 November 1950
The 2019 Shanghai Masters was a professional non-ranking snooker tournament that took place at the Regal International East Asia Hotel in Shanghai, China from 9 to 15 September 2019. It was the 12th edition of the Shanghai Masters, which was first held in 2007. Ronnie O'Sullivan was the defending champion, having defeated Barry Hawkins 11–9 in the 2018 final, and also having won the tournament in 2017. O'Sullivan successfully defended his title for a second consecutive year, defeating Shaun Murphy 11–9 in the final. This was the third consecutive title for O'Sullivan in this tournament.
The prize fund was £751,000 with the winner receiving £200,000. The event was broadcast by Great Sports Channel, Superstars Online, Youku and Zhibo.tv in China, as well as NowTV in Hong Kong and Eurosport in Europe. (Full article...)
Image 8
Frameless
Japanese soldiers atop a gate in the walled city of Jinan, May 1928
Japanese soldiers had been deployed to Shandong province to protect Japanese commercial interests in the province, which were threatened by the advance of Chiang's Northern Expedition to reunite China under a Kuomintang government. When the NRA approached Jinan, the Beiyang government-aligned army of Sun Chuanfang withdrew from the area, allowing for the peaceful capture of the city by the NRA. NRA forces initially managed to coexist with Japanese troops stationed around the Japanese consulate and businesses, and Chiang Kai-shek arrived to negotiate their withdrawal on 2 May. This peace was broken the following morning, however, when a dispute between the Chinese and Japanese resulted in the deaths of 13–16 Japanese civilians. The resulting conflict resulted in thousands of casualties on the NRA side, which fled the area to continue northwards toward Beijing, and left the city under Japanese occupation until March 1929. (Full article...)
The Forbidden City was constructed from 1406 to 1420, and was the imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)
Image 10
The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.
In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works. (Full article...)
Image 11
The Killer (Chinese: 喋血雙雄) is a 1989 Hong Kong action film directed and written by John Woo and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, but accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit to pay for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
Image 12
The title page of a 16th century Ming print of the Zuo Zhuan
The Zuo Zhuan (Chinese: 左傳; Wade–Giles: Tso chuan; [tswò ʈʂwân]), often translated The Zuo Tradition or The Commentary of Zuo, is an ancient Chinese narrative history that is traditionally regarded as a commentary on the ancient Chinese chronicle Spring and Autumn Annals. It comprises 30 chapters covering a period from 722 to 468BC, and focuses mainly on political, diplomatic, and military affairs from that era.
For many centuries, the Zuo Zhuan was the primary text through which educated Chinese learned their ancient history. The Zuo Zhuan does not simply explain the wording of the Spring and Autumn Annals, but rather expounds upon its historical background with rich and lively accounts of Spring and Autumn period (771–476 BC) history and culture. The Zuo Zhuan is the source of more Chinese sayings and idioms than any other classical work, and its concise, flowing style came to be held as a paragon of elegant Classical Chinese. Its tendency toward third-person narration and portraying characters through direct speech and action became hallmarks of Chinese narrative in general, and its style was imitated by historians, storytellers, and ancient style prose masters for over 2000 years of subsequent Chinese history. (Full article...)
Image 13
The Yunnan hare (Lepus comus) is a medium-sized species of mammal in the family Leporidae. It has soft, flat, and long dorsal pelage which is grayish brown or dark gray in color, and whitish ventral pelage. It was considered endemic to China (mainly in Yunnan), but its presence was recorded in northern Myanmar in 2000. It is a herbivore, and forages on shrubs and forbs. It is rated as a species of least concern on the IUCN Red List of Endangered Species. The Red List of China's Vertebrates has listed the Yunnan hare as near threatened, almost meeting the criteria to be listed as vulnerable. (Full article...)
Image 14
Clockwise from top-left: Chiang inspecting soldiers of the National Revolutionary Army; NRA troops marching north; an NRA artillery unit in combat; civilians showing support for the NRA; peasants volunteering to join the expedition; NRA soldiers preparing to launch an attack.
The second phase of the Expedition began in January 1928, when Chiang resumed command. By April 1928, the nationalist forces had advanced to the Yellow River. With the assistance of allied warlords, including Yan Xishan and Feng Yuxiang, nationalist forces secured a series of decisive victories against the Beiyang Army. As they approached Beijing, Zhang Zuolin, leader of the Manchuria-based Fengtian clique, was forced to flee, and was assassinated shortly thereafter by the Japanese. His son, Zhang Xueliang, took over as the leader of the Fengtian clique, and in December 1928, announced that Manchuria would accept the authority of the nationalist government in Nanjing. With the final piece of China under KMT control, the Northern Expedition concluded successfully and China was reunified, heralding the start of the Nanjing decade. (Full article...)
Image 15
The Leader (Chinese: 领风者; pinyin: Lǐng fēng zhě) is a 2019 Chinese animatedweb series based on the life of German philosopher Karl Marx. Commissioned by the Chinese Communist Party, a production team was formed in 2016 which included propaganda departments, scholars of Marxism, and the Chinese Academy of Social Sciences. The series was announced in 2018 by the streaming service Bilibili as part of the celebration of the 200th anniversary of Marx's birth. The seven-episode series was created to attract young people to Marxism, and it was streamed weekly on Bilibili between January 28, and March 4, 2019. A webcomic version was produced by Zhong Jun, the series' chief scriptwriter.
The series' announcement attracted international interest, and its promotional video had over 200,000 views on its release day. It was primarily considered propaganda by the Western media, while Chinese viewers commented on Marx's good looks. The series had a mixed response; the first episode had over 2.8 million views in one day, and the series as a whole had at least 5.5 million views. Although it was criticized for poor animation, propagandism, and its depiction of Marx, it has sparked a discussion on Marxism and labor rights in China. (Full article...)
Image 17Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 22Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 23Tang dynasty mural from Li Xian's tomb in Qianling showing Han nobility clothing of the era. (from Chinese culture)
Image 25Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 26Flag of the Republic of China from 1912 to 1928 (from History of China)
Image 62Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
Image 63Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 64Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
.svg)
.jpg)
.jpg)
.jpg)
.svg){kind=small}
.svg){kind=small}
_-_1958.213.b_-_Cleveland_Museum_of_Art.jpg)
.jpg)
.jpg)
.svg)
.png)
-111425_(24150640974).jpg)
.jpg)
_(cropped).jpg)
wiki incubator Xiang (湘语)
Commons
Wikibooks
Wikidata
Wikinews
Wikiquote
Wikisource
Wikiversity
Wikivoyage
Wiktionary
.jpg){kind=link}
_in_1963_-_Restoration.jpg){kind=link}
_(cropped).jpg){kind=link}
.jpg){kind=link}
_-_Restoration.jpg){kind=link}
_(BM_1906,1220,0.1311).jpg){kind=link}
