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The Norslunda Runestone, bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old NorseKylfingar; EstonianKalevid; HungarianKölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabical-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also a matter of much debate.
German reconnaissance picture of Sovetsky Soyuz taken in June 1942
The Sovetsky Soyuz-class battleships (Project 23, Russian: Советский Союз, 'Soviet Union'), also known as "Stalin's Republics", were a class of battleships begun by the Soviet Union in the late 1930s but never brought into service. They were designed in response to the Bismarck-class battleships being built by Germany. Only four hulls of the fifteen originally planned had been laid down by 1940, when the decision was made to cut the program to only three ships to divert resources to an expanded army rearmament program.
These ships would have rivaled the Imperial JapaneseYamato class and America's planned Montana class in size if any had been completed, although with significantly weaker firepower: nine 406-millimeter (16 in) guns compared to the nine 460-millimeter (18.1 in) guns of the Japanese ships and a dozen 16-inch (406 mm) on the Montanas. The failure of the Soviet armor plate industry to build cemented armor plates thicker than 230 millimeters (9.1 in) would have negated any advantages from the Sovetsky Soyuz class's thicker armor in combat. (Full article...)
The Gurian Republic was an insurgent community that existed between 1902 and 1906 in the western Georgian region of Guria (known at the time as the Ozurget Uyezd) in the Russian Empire. It rose from a revolt over land grazing rights in 1902. Several issues over the previous decades affecting the peasant population including taxation, land ownership and economic factors also factored into the start of the insurrection. The revolt gained further traction through the efforts of Georgian social democrats, despite some reservations within their party over supporting a peasant movement, and grew further during the 1905 Russian Revolution.
During its existence, the Gurian Republic ignored Russian authority and established its own system of government, which consisted of assemblies of villagers meeting and discussing issues. A unique form of justice, where trial attendees voted on sentences, was introduced. While the movement broke from imperial administration, it was not anti-Russian, desiring to remain within the Empire. (Full article...)
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Soviet and German deployments near Prokhorovka on the eve of the engagement of 12 July. Positions of the II SS-Panzer Corps are in blue; the red dashed line shows the position of Soviet forces directly opposing the SS-Panzer Corps. The black dashed line is the railway running from Prokhorovka southwest through the Psel corridor (the strip of land between the Psel River and a tributary of the Northern Donets River).
In April 1943, the German leadership began preparing for Operation Citadel, with the objective of enveloping and destroying the Soviet forces in the Kursk salient by attacking and breaking through the base of the salient from north and south simultaneously. The German offensive was delayed several times because of the vacillation of the leadership (Hitler repeatedly delayed launching the attack so that more Tiger tanks could be delivered to the front, hoping that a technical advantage would help him win the offensive) and the addition of more forces and new equipment. The Soviet high command, Stavka, had learned of the German intentions and so used the delay to prepare a series of defensive belts along the routes of the planned German offensive. The Soviet leadership also massed several armies deep behind their defences as the Stavka Reserve. The army group, the Steppe Front, was to launch counteroffensives once the German strength had dissipated. The 5th Guards Tank Army was the primary armoured formation of the Steppe Front. (Full article...)
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Marshal Mortier at the battle of Durenstein in 1805, Auguste Sandoz
The Battle of Dürenstein (German: Schlacht bei Dürnstein; also known as Dürrenstein, Dürnstein and Diernstein) or the Battle of Krems (Russian: Сражение при Кремсе), on 11 November 1805, was an engagement in the Napoleonic Wars during the War of the Third Coalition. Dürenstein (modern Dürnstein), Austria, is located in the Wachau valley, on the river Danube, 73 kilometers (45 mi) upstream from Vienna, Austria. The river makes a crescent-shaped curve between Dürnstein and nearby Krems an der Donau, and the battle was fought in the flood plain between the river and the mountains.
At Dürenstein, a combined force of Russian and Austrian troops trapped a French division commanded by Théodore Maxime Gazan. The French division was part of the newly created VIII Corps, the so-called Corps Mortier, under command of Édouard Mortier. In pursuing the Austrian retreat from Bavaria, Mortier had over-extended his three divisions along the north bank of the Danube. Mikhail Kutuzov, commander of the Coalition force, enticed Mortier to send Gazan's division into a trap and French troops were caught in a valley between two Russian columns. They were rescued by the timely arrival of a second division, under command of Pierre Dupont de l'Étang. The battle extended well into the night, after which both sides claimed victory. The French lost more than a third of their participants, and Gazan's division experienced over 40 percent losses. The Austrians and Russians also had heavy losses—close to 16 percent—but perhaps the most significant was the death in action of Johann Heinrich von Schmitt, one of Austria's most capable chiefs of staff. (Full article...)
The Siberian accentor (Prunella montanella) is a small passerinebird that breeds in northern Russia from the Ural Mountains eastwards across Siberia. It is migratory, wintering in Korea and eastern China, with rare occurrences in western Europe and northwestern North America. Its typical breeding habitat is subarcticdeciduous forests and open coniferous woodland, often close to water, although it also occurs in mountains and sprucetaiga. It inhabits bushes and shrubs in winter, frequently near streams, but may also be found in dry grassland and woods.
The Siberian accentor has brown upperparts and wings, with bright chestnut streaking on its back and a greyish-brown rump and tail. The head has a dark brown crown and a long, wide pale yellow supercilium ("eyebrow"). All plumages are quite similar. The nest is an open cup in dense shrub or a tree into which the female lays four to six glossy deep blue-green eggs that hatch in about ten days. Adults and chicks feed mainly on insects, typically picked off the ground, but sometimes taken from vegetation. In winter, the accentors may also consume seeds or feed near human habitation. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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Antarctica (/ænˈtɑːrktɪkə/ⓘ) is Earth's southernmost and least-populated continent. Situated almost entirely south of the Antarctic Circle and surrounded by the Southern Ocean (also known as the Antarctic Ocean), it contains the geographic South Pole. Antarctica is the fifth-largest continent, being about 40% larger than Europe, and has an area of 14,200,000 km2 (5,500,000 sq mi). Most of Antarctica is covered by the Antarctic ice sheet, with an average thickness of 1.9 km (1.2 mi).
Antarctica is, on average, the coldest, driest, and windiest of the continents, and it has the highest average elevation. It is mainly a polar desert, with annual precipitation of over 200 mm (8 in) along the coast and far less inland. About 70% of the world's freshwater reserves are frozen in Antarctica, which, if melted, would raise global sea levels by almost 60 metres (200 ft). Antarctica holds the record for the lowest measured temperature on Earth, −89.2 °C (−128.6 °F). The coastal regions can reach temperatures over 10 °C (50 °F) in the summer. Native species of animals include mites, nematodes, penguins, seals and tardigrades. Where vegetation occurs, it is mostly in the form of lichen or moss. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
Nadezhda Vasilievna Stasova (Russian: Надежда Васильевна Стасова; June 24 [O.S. June 12] 1822 – October 9 [O.S. September 27] 1895) was a Russian educator, activist, and feminist. Stasova was born into a noble and wealthy family; Tsar Alexander I of Russia was her godfather, and she received extensive private tutoring as a child. After experiencing family tragedy and personal disappointment as a young woman, she dedicated herself to women's education and economic empowerment. Alongside Anna Filosofova and Maria Trubnikova, Stasova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate".
The triumvirate founded and led several organizations designed to promote women's cultural and economic independence, including a publishing cooperative. Subsequently, the triumvirate pushed government officials to allow higher education for women, although continuing opposition meant that their successes were sometimes limited or reversed. Stasova eventually became the lead organizer of the Bestuzhev Courses in 1878, but a decade later was forced to resign under political pressure. In her final years, she continued her support for the cause of women's rights in Russia. Stasova died in 1895. (Full article...)
The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).
The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ponticello, col legno, flautando, glissando, and flutter-tonguing. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird. (Full article...)
Alexei Leonov (1934–2019) was a Soviet cosmonaut, Air Force major general, writer, and artist. On 18 March 1965, he became the first human to conduct a spacewalk, exiting the capsule during the Voskhod 2 mission for 12 minutes and 9 seconds. At the end of the spacewalk, his spacesuit had inflated in the vacuum of space to the point that he had great difficulty re-entering the airlock, forcing him to open a valve to deflate his suit. His second trip into space took place ten years later, when he was commander of Soyuz 19, the Soviet half of the 1975 Apollo–Soyuz Test Project, the first joint space mission between the Soviet Union and the United States. The crater Leonov on the far side of the Moon is named after him.
This picture shows Leonov photographed in 1974, wearing a lapel pin with a version of the emblem for the Apollo–Soyuz Test Project, which was then in development.
Saint Basil's Cathedral is a church in Red Square in Moscow, Russia. It was built from 1555 to 1561 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The city's tallest building until the completion of the Ivan the Great Bell Tower in 1600, the original building contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). Although the Bolsheviks considered demolishing the church in the 1930s, it was spared. Since 1991 it has housed a branch of the State Historical Museum and hosted occasional church services.
A Chechen man prays during the First Battle of Grozny, January 1995. The flame in the background is coming from a gas pipeline which was hit by shrapnel.
A late nineteenth-century photochrom of a reindeer sled, Arkhangelsk, Russia. Reindeer have been herded for centuries by several Arctic and Subarctic people including the Sami and the Nenets. They are raised for their meat, hides, antlers and, to a lesser extent, for milk and transportation.
Hotel Astoria is a five-star hotel located on Saint Isaac's Square in Saint Petersburg. Commissioned in 1910 by the Palace Hotel Company to host visitors to the Romanov tercentenary, the hotel was designed by Fyodor Lidval and first opened in 1912. After the October Revolution, it continued to be used as a state-operated hotel, though during World War II it was also a field hospital. The hotel, now owned by Rocco Forte Hotels, has been renovated several times, most recently in 2012.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
Fyodor Dostoevsky (1821–81; depicted in 1872) was a Russian novelist, short story writer, essayist and philosopher. After publishing his first novel, Poor Folk, at age 25, Dostoyevsky wrote (among others) eleven novels, three novellas, and seventeen short novels, including Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880).
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
The Krestovsky Stadium is the home ground of FC Zenit Saint Petersburg. Photographed here in 2016, when construction was nearing completion, it is situated on Krestovsky Island in the Russian city of Saint Petersburg. It was opened in 2017 as a venue for the 2017 FIFA Confederations Cup, and hosted the final, in which Germany beat Chile 1–0. It was one of the venues for the 2018 FIFA World Cup the following year. Among other features, it has a retractable roof, and is equipped with a video-surveillance and identification system, as well as security-alarm, fire-alarm and robotic fire-extinguishing systems. The stadium's seating capacity is 67,800.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
November 19, 1825 - Alexander I of Russia died of typhus. The army swore allegiance to his eldest brother, the Grand Duke Konstantin Pavlovich. Constantine, however, following Alexander's choice of successor, swore allegiance to his younger brother, Nicholas I.
Two paskhas with candles (with a kulich and Easter eggs in the background)
Paskha (also spelled pascha, or pasha; Russian: па́сха; [ˈpasxə]; "Easter") is a Slavic festive dish made in Eastern Orthodox countries which consists of food that is forbidden during the fast of Great Lent. It is made during Holy Week and then brought to Church on Great Saturday to be blessed after the Paschal Vigil. The name of the dish comes from Pascha, the Eastern Orthodox celebration of Easter. Besides Russia, Ukraine, etc. Pasha is also often served in Finland.
Cheese paskha is a traditional Easter dish made from tvorog (like cottage cheese, Russian: творог, romanized: tvorog), which is white, symbolizing the purity of Christ, the Paschal Lamb, and the joy of the Resurrection. It is formed in a mold, traditionally in the shape of a truncated pyramid which symbolizes the first Passover in Egypt, a nod to Christianity's early Jewish beginnings and a reminder that the Last Supper of Jesus was a Passover Seder. Others believe the pyramid is a symbol of the Trinity, the Church; Tomb of Christ). It is usually served as an accompaniment to rich Easter breads called paska in Ukraine and kulich in Russia (where the "paskha" name is also used in the Southern regions) and Poland “Pascha”. The Easter foods; bread and cheese paska are very rich and made of many dairy items given up during Great Lent. They are brought to church on Easter to be blessed by the priest. (Full article...)
... that Russia launched an Iranian satellite into orbit just three weeks after Putin and Iran's Supreme Leader Ayatollah Khamenei vowed to cooperate against the West?
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